Interview With Kymberli W. Brady, Author
By Alyice Edrich
Before your first book was published, were you published anywhere
else (magazines?) and what type of things had you written?
I had some poetry published and did a lot of copywriting for
corporate brochures, ads and the like through my advertising agency.
When did Give Them Wings and Let Them Fly first become published and
why did you choose this particular theme?

Give Them Wings and Let Them Fly was published in May of 2000. The
theme came about as a result of my healing from six miscarriages
through my writing. This book is the culmination of that journey.
I am often told that grief is such a narrow niche that not many want
to take on this subject, what do you think made your book stand out,
so that the publisher wanted to take the risk?
I noticed a void in the books that were offered on the subject.
Although there were many that dealt with losing a child through
miscarriage, SIDS, accident, illness and the like, I found that they
all either touched on the physical or emotional aspect of healing
after loss. I wanted to know how to heal my heart.
Your second book entitled
Sleepy Little Star
seems to have
sparked some new interest in your first book, why do you think this
has occurred?
I can only think it is because of the unique link the two have with
each other. Although they are very different books, The Sleepy Little
Star would never have been written if it weren't for Give Them Wings
and Let Them Fly.
Two years ago, my son in his infinite five year old wisdom came to me
and asked, "Mommy, you wrote a book for your other babies, where's
mine?" Now I have a book that comforts those who have lost a child,
and another, a promise fulfilled to my son that celebrates children
everywhere.
How long had you been searching for a publisher for The Sleepy Little
Star and how many rejections had you faced?
Actually, I've been so incredibly blessed (or lucky). My first
publisher wanted it as soon as he saw it, but my long-time friend and
accountant talked me out of it. She reminded me of the itty-bitty
royalties I get from the first book and suggested that we do it
ourselves. In thinking about it, I looked back at how hard I've
worked on promoting Give Them Wings and Let Them Fly (at my own
expense) and figured I might as well reap a larger reward for my time
and efforts on this one. Wendy and I became partners and joined the
realm of publishing by forming Kymzinn, Inc. It's a wonderful
relationship. She acquires the financing necessary to cover our
expenses and I handle all the creative and marketing. 20 years of
experience in advertising hasn't hurt either.
Although it turned out beautifully, I remember how difficult it was
for me to let go of the creative aspect of the first book. I did put
my foot down however, and was allowed to design the cover. With my
new one, I had complete control over the look and feel of the book
and nightlight designs.
Do you use an agent to get your works published? If so, what do you
look for in an agent and is it necessary to have an agent to sell
children's books?
I have never had an agent. That's not to say I won't in the future,
but things are going pretty well (knock on wood) without one for the
time being.
Just recently, you went to the ACM (Academy of Country Music) awards
and handed out 80 The Sleepy Little Star books and book

lights to the music stars, gratis. Who paid for those books and what
was your reasoning for this?
This was "guerella marketing" at its best! If you look at the raw
cost of 80 books and nightlights, for less than $500, we had the
opportunity of a lifetime and received national publicity with over
20 live radio interviews around the country and a taping of Extra!
Add to that the exposure we received, the endorsements we will get
from the celebrities (which sells a lot of books along with the doors
that were opened to us that we are just now beginning to see, and you
have the holy grail in marketing!
Additionally, we had one copy signed by over 40 celebrities and
donated it to the St. Jude Country Cares Celebrity Auction
(huge exposure) benefiting children in need of medical treatment. The
reviews that have since come in from the auction stated that our
little book "blew the socks off most of the other items listed" and
was one of the most sought after items!
In a nutshell, you simply cannot put a price on publicity like that.
It was in fact the best investment we've made to date on this
project. Since the show, we have been invited to participate in two
additional national charity functions and will be all too happy to
oblige as you simply cannot buy that kind of media exposure.
I've even been offered the opportunity to participate in a book
project for a celebrity (can't reveal that yet) who's turned down all
other offers before now. It just keeps getting better and better. I
still have to pinch myself every morning.
How did you get behind stage passes? And what was it like?
I have worked for Dick Clark Productions on an independent basis for
about 15 years now and simply called and made the offer to donate the
books and night lights to the celebrity gift baskets (of course,
they'll take all the freebies they can get).
Then, they called me back and asked if I would come and sign each one
personally, instead as the celebrities picked up their gifts.
Needless to say, it was an easy decision and Wendy and I had the time
of our lives.
What other marketing techniques do you use to get your books noticed
and what tricks would you recommend other newly published authors to
try?
Aside from the required list of things to do (here's where I highly
recommend
The Self-Publishing Manual by Dan Poynter, do anything you
can to get the word out.
In our case, we send out postcards to bookstores and gift shops,
participate in local festivals, school functions and other events
that attract media attention.
Donate books to silent auctions, hospitals, churches and other non-
profits who will in turn promote or recommend it. Have your newspaper
do a feature article on you (they love local authors). Donate books
to television and radio stations as on-air give-aways in exchange for
a little blurb on the air. It sounds like you are giving away a lot
of books, but it's a lot cheaper than display advertising and huge
direct mail campaigns and will come back to you ten-fold.
The most important thing is to be creative. The possibilities are
endless. Long story short, everyone loves free stuff and most will be
happy to help you endorse your books in exchange.
I just got word that you were asked to consider a line of merchandise
to represent the characters in The Sleepy Little Star, how did this
come about?
Actually, Ingram Books made the recommendation upon accepting the
book. They also asked for a book/nightlight boxed gift set which we
are currently working on. Additionally, they have asked us to come to
Nashville next month to present this to their specialty sales
division for possible placement in Target, Costco and other non-
traditional bookstores. Who knows, maybe an animated video edition is
also in the future. Pardon the pun but we are reaching for all the
little stars we can get.
If you could leave others with one bit of advice or words of wisdom,
what would you have to share?
Take the time to do it right. You only get one shot at making a new
book a successful one. We decided at the proof stage to have The
Sleepy Little Star completely re-illustrated, putting us some eight
months behind schedule not to mention way over budget. The results of
those setbacks in an effort to try to master perfection are now
beginning to pay off. Don't settle for less.
Don't be shy. You are and will always be the best spokesperson for
your book. No one will be more passionate about it than you. Look for
your own creative ways to promote yourself. Don't be afraid to go out
there and find each and every possible opportunity to get the word
out. You can't be timid in this business. Shout it out to the world
in any way you can. Otherwise, they may not hear you.
Alyice Edrich
Copyright 2002
About the Author:
Alyice Edrich is a web copy and freelance writer, discount
telecommunications agent, and Editor-in-Chief for The Dabbling
Mum.com, An Online Magazine for BUSY Parents.